May 3, 2021 - FAZE Mag - Mai issue - digital and print | Hybrid Dimension II. album review | The Allegorist 10 Charts
April 22, 2021 - Various Small Flames - Hybrid Dimension II. album review
"Latest album Hybrid Dimensions II is no exception. The second instalment of a series started in 2018 with Hybrid Dimensions I, the record pulls the reader into a carefully built world that straddles sci-fi and fantasy, feeding off of the past/future dualism that sits at the heart of The Allegorist aesthetic. Jordan provides a storybook to provide proper context, but essentially the songs see a protagonist travel great distances and confront great dangers, its mythic connotations allowing the exploration of themes of solace, redemption and loss. All realised through a blended sound that incorporates classical, electronic and ambient styles.
Single ‘Dark Forces’ indicates how such an ambitious project might sound. Emerging from a flat, shadowed void, the song gradually comes to life in all of its scope and space. But from within the track’s vacant expanses, something large and ominous shifts out of view. Something that approaches gradually, creeping ever closer as the song unfurls, eventually revealing itself in its surreal, sublime form."
May 5, 2021 - Living Techno - Article about Hybrid Dimension II.
May 3, 2021 - The Brvtalist - Unlimited Dedication track premiere from the album Hybrid Dimension II.
April 28, 2021 - Nova Future - Hybrid Dimension II. album review
April 22, 2021 - Cold Experiment - Hybrid Dimension II. album review
April 25, 2021 - Transistora - Hybrid Dimension II. album review
April 19, 2021 - FBL Magazine - Dark Forces and Hybrid Dimension II. album review
April 9, 2021 - THE CLUBMAP - Hybrid Dimension II. album review
April 16, 2021 - INTERVIEW for THE VELOCITY MAGAZINE by Jeff Mills - Issue Two - Interview by Carola Stoiber - Pages 90-93
"My relationship with vocals: I really like to use vocals in my tracks, because my voice as a sound source is unique to me and truly mine. I believe the vibrations of my voice carry not only sound but my memories, life experiences and are snapshots from my deeply personal diary. In a way it’s an almost physical thread that leads to me and manifests my intellectual person in a tangible form, like a sculpture.
I’ve never had the ambition to improve my singing technic in a traditional way, as my intentions are to express something specifically. For me to make the most out of my voice doesn’t mean to perfect its sound to a norm but to utilise it on a wider spectrum and to alter it the closest I can, to my authentic self or to my characters I would like to give a voice."
April 9, 2021 CDM - DARK FORCES Video Premiere and article by Peter Kirn
Dark Forces by The Allegorist plunges us into a gorgeously surreal, shamanistic future. It’s the ultimate neo-futuristic concept album, complete with invented language for the lyrics (“Mondoneoh”) and a protaganist known as Dragon Rider. But the music is exquisitely composed 21st-century cinematic electronics. Anna Jordan’s The Allegorist has produced a fanciful opus for total immersion."
"And there’s the music – endlessly cinematic, cool and reserved but with a confident forward drive, pulsing like a cybernetic city. It’s a different synthesis than the cyberpunk narrative we’ve seen of late – instead of faux Japanese dystopia, you get a utopian fusion of paganism and machine beats, but where the two naturally blur together. The full album drops at the start of May – which is good, because putting it in words might make you think of pastiche and some 1990s musical disaster, but it’s not. It’s more Tron meets goddess, easy-going technopaganism native in the Europe of decades to come, past our current mess of muddled governance and rubber-stamped faxes, into something sleek, shiny, but caring."
February 26, 2021 Erica Synths - Interview with Erica Synths' Eliza Aboltina
"Anna Jordan - better known as The Allegorist is a musical storyteller creating auditive visions. Known best for her full length album Hybrid Dimension I 2021 promises to be a year full of vivid releases and a new era in the artist's catalogue."
"At one point being a music producer actually helped me a lot to develop a resilience against sexism also on a personal level. As a music producer, which is associated with something ''cool'', I was able to become a person of whom traditional expectations didn’t apply the same way anymore."
July 17, 2019 Phace Magazine - Interview
"In my opinion, the message is equal with the artwork itself. Just as there is no such a thing, like being physically healthy without being mentally healthy as well either. We can see problems rooted in separations in our society everywhere. I personally try to pursue a holistic worldview and think it’s a hypocritical attitude to deny that one thing is not connected to another."
July 16, 2019 "15 questions" - Interview
"Sometimes to let go of your own version of an idea needs more strength than to push it into a meaningless perfection. I feel very vulnerable then, but even if I see myself as the creator I’m actually also the soldier."
"For the future, I hope that artists aren’t ridiculously glorified or invisible and that music will represent a wider range of ideas by a more diverse group of creators."
July 10, 2019 New Noise Magazine - "Humandroid Lovers" Video Premiere
"The audiovisual album Hybrid Dimension I tells an exact, imaginative tale, but there is also a deeper meaning laying underneath each story,” The Allegorist says. “The individual stories are connecting to each other creating more layers and multiplying the dimensions."
March 30, 2019 Igloo Magazine - "Falling Astronaut" Video Premiere
"Hybrid Dimension I by The Allegorist (Detroit Underground, 2018) comes with 10 tracks, a storybook, a full visual experience, and a video to each track and cover art. “Falling Astronaut“ (video premiere featured at Igloo Magazine) is described by the artist as: “The protagonist became one of the Falling Astronauts who were floating selfless in complete silence in the dark space. Before getting swept into the deadly stream, where there was no way back she held her ground and refused to give up.” Definitely an “intergalactic journey with dreamy visions through time and space.”
"Anna Jordan is a trans-disciplinary artist based in Berlin, who focuses her work in the digital electronic realm as a painter, video artist and electronic musician. Her auditive work is released under her moniker, The Allegorist, for which she has 2 albums out now, and she says her format mixes all styles and genres and sets no limitations. Her most recent album was released in 2018, on Detroit Underground, is called Hybrid Dimension I-- a full length audio visual masterpiece that features music videos Anna created for each track on the album. One is currently screening at international film festivals, entitled Humandroid Lovers."
"What were your expectations when you applied for Amplify? Would you say these expectations were met?
End of 2018 I reached a step, where I was ready for new input. So the residency in January started in the perfect moment for me and I was looking forward for the new challenges. On Peter Kirn’s smaller event series in 2017 I heard Robert Lippok playing and talking about his set in Maze and I was greatly inspired by that. I had never thought that a year later the possibility would come up to apply for a residency with his mentorship. Also Raster is one of my favorite labels of all time and I was blown away that he had chosen me as a mentee."
"Auf den zehn Stücken des neuen Albums wird diese utopische Storyline teilweise durch kinematografischer Dramatik und fast schon erdrückend distanziertem Pathos („Exotic Expeditions“, „Humandroid Lovers“), dann wieder mit balladesken Eindrücken („Falling Astronaut“, „Foggy Mountains“) verarbeitet. Ihre Stimme bringt Jordan dabei glücklicherweise deutlich öfter ein als in der Vergangenheit. Diese schwebt schleierhaft über den Klängen, bleibt oft unscheinbar im Hintergrund („Asteroid Temples“) und schafft es doch, ein Gefühl der innigen Nähe zu vermitteln. Ein Soundtrack, um zurück in die Zukunft zu reisen!"
August 14, 2018 Review of Hybrid Dimension I. by HiKo
ANNA JORDAN: SCULPTING SOUND AND DESIGN
"I learned almost everything online, by watching tutorials on YouTube, and through practice. I felt too shy to go to meetups, because I didn’t know anything back then. Luckily, I love to learn, and when I set my mind to something, I keep going at it until I succeed."
August 15, 2016 Bucketlist Music Reviews
"The Allegorist’s debut album Botanical Utopia, released on the Kraak record label on June 27, 2016, is unusual for electronic dance music. It’s not the album’s deep, downtempo house beats that sets the Allegorist apart from other artists in the genre. There are plenty of chilled-out house music producers. It’s the haunting and, well, unintelligible singing that’s so memorable about Botanical Utopia.
Either way, it is a creative approach to music making, and Botanical Utopia is one of the more cutting edge albums I’ve heard this year. The singing sounds like rhythmic tribal chanting, which the artist explains is meant to “connect all nations and honour all our ancestors.” It can be repetitive, but dance music is usually repetitive, loopy, and rarely as avant-garde, as it is here.
“Floating Mantra” opens the album with a catchy synth-pop beat and chanting. One of the deepest and grooviest cuts on Botanical Utopia is “Aurora Borealis,” a dark and brooding string-heavy track with a hypnotic, subtle house beat. When the Mondoneoh chanting emerges, the track becomes pure cinematic house music. “Alaskan Malamute” begins with a terrifyingly cold arctic wind blowing over more of the dramatic strings and a downtempo breakbeat. The beat slowly transforms into a pounding, spine-tingling electro banger.
There’re a few deep and dark house songs like “Ragged Traveler,” but the most interesting track here is the album’s final cut “Desert Walks,” an experimental ambient opus that sounds like something from a David Lynch soundtrack. The Allegorist’s more dance-oriented tracks are a catchy version of nu-disco, but I prefer the experimental stuff, with minimal house beats, so the listener can kick back and blast off on a mental journey to another planet.
Botanical Utopia is too dramatic a for daily listening, and too experimental for most nightclubs, but after a few listens it started to grow on me. These sounds would fit well into a sci-fi movie soundtrack, and would also suit Montreal’s Mutek electronic music festival. In fact, the Allegorist reminds me of one of the avant-garde performers at this year’s Mutek: Aïsha Devi. The production on Botanical Utopia is quite impressive for a debut album, and I’m interested to hear more of the Allegorist and the “majestic” Mondoneoh language."
Written by Rob Coles
*edited by Danielle Kenedy